 Artist: Coldcut: mp3 download Genre(s): Other Drum & Bass Acid Jazz Trip-Hop Electronic Easy Listening Coldcut's discography:  True Skool Year: 2006 Tracks: 6  Sound Mirrors Year: 2005 Tracks: 16  Ninja Tune (ZEN12173) Year: 2005 Tracks: 3  Mr Nichols Year: 2005 Tracks: 2  Everything is Under Control Year: 2005 Tracks: 3  Solid Steel Year: 2004 Tracks: 1  Re:volution Year: 2001 Tracks: 3  Sampler (Zen39Cdpromo) Year: 2000 Tracks: 6  Best Trips Year: 2000 Tracks: 13  Let Us Replay! Year: 1998 Tracks: 12  More Beat + Pieces Year: 1997 Tracks: 6  Let Us Play Year: 1997 Tracks: 12  Atomic Moog 2000 (Cd5) Year: 1997 Tracks: 7  Coldcut 70 Minutes Of Madness Year: 1995 Tracks: 35  Philosophy Year: 1993 Tracks: 14  Some Like It Cold Year: 1990 Tracks: 8 DJs Jonathan More and Matt Black, aka Coldcut, blush wine to applaud in the mid-'80s through production and remix go for a number of modern stone, rap, and dance outfits, including Yaz, Lisa Stansfield, Junior Reid, Blondie, Eric B. & Rakim, and Queen Latifah. While that connexion has pegged them as a production of the U.K. acidic wandering house and rave scenes, the pair's larger allegiance has been to urban breakbeat styles such as hip-hop, ambient dub, and jungle; the three of which take established the bulk of their recorded output since their offset base mid-'80s white-label EP, Hey Kids, What Time Is It? Comprising contrive titles like Hedfunk, Hex, DJ Food, and Coldcut, More and Black experience assembled an empire of U.K. breakbeat and data-based hip-hop through their Ninja Tune/Ntone labels and been a integrative force in resistance experimental electronic music through their eclecticist wireless show, Solid Steel, and clubhouse and turn dates. More than and Black got their start, non surprisingly, as radio DJs, working at the sea rover station Network 21 during the first half of the '80s, and latching onto the snowballing club scene mid to late-decade. Their title to early celebrity, Hey Kids, What Time Is It?, was modeled on the cut'n'scratch lazy Susan esthetic of resistance deck heroes care Grandmaster Flash and Double D & Steinski. Widely regarded as the U.K.'s first breaks track record and an influential force in bringing personal identity to London's nascent lodge culture, the record -- released as a U.S. import billed to DJ Coldcut to avoid sampling judicial proceeding -- opened as many doors for More and Black as it did for DJs, delivery scores of production and remix work their way. The attention (and sales royalties) also allowed them to set up their Ninja Tune and Ntone labels, which together have been home to some of the to the highest degree acclaimed and influential artists of London's post-rave subway system view, including DJ Food, Drome, Journeyman, 9 Lazy 9, Up, Bustle & Out, and the Herbaliser. Although Coldcut was their earliest nom de pluck, following a befogged constrict with Arista, the name remained in legal channels for the following few years. The intervening period found the pair no less active, releasing a flood of material under different name calling and continuing to exercise with young groups. The Coldcut name returned to More and Black in 1995, and the geminate noted with a ruffle CD as contribution of the Journeys by DJ series dubbed 70 Minutes of Madness. The tone termination was credited with delivery to wider attention the sorting of freestyle salmagundi the couple were of all time known for through their wireless yield on KISS FM, Solid Steel, and their stiff clubhouse dates, a manner that has since taken off through clubs like Blech and the Heavenly Sunday Social. In 1997, Coldcut lastly released some other full-length, Allow Us Play! Two years subsequently, the partner off followed up with the remix album Let Us Replay! Numerous shuffle CDs appeared ahead they returned in 2006 with the fresh album Good Mirrors, a slip album that recalled their debut. |
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